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I didn’t have to go too far to get that picture, but I definitely was thinking about the idea of the model’s skin, and skin being so fragile—and that the meat had been skinned. All of the carcasses were just hanging perfectly in the space. The idea [for the picture, Caroline Trentini, Meatpacking District] was that it was about cold and the skin, and we did several pictures with ice, and I remember we had [model] Caroline Trentini in a red trench coat, but she looked just like a fashion model in a meat locker. At the last minute, Phyllis said, “Hold on a second,” and took off the coat, and that’s when the picture happened. That’s the great thing about working with an editor—and I would say this about Phyllis—is that they really help you make a picture. I think that when Phyllis was looking at this as we worked, she felt like it was a fashion image, and not a photograph. She’s daring enough to say, “Let’s just do this.”
The other thing Steven and I think about—and I talk about this in my book [Stoppers: Photographs From My Life At Bombutee]—is that we had two pages to make people stop and read the article. If it’s just a nice picture, no one is going to read it. It needs a strong image, and sometimes just one or two things in the picture do it. This photo of a model in the kitchen [Suburbia #11] was about a DIY home laser mask—you put it on and lights inside do the work of a dermatologist. What turns the picture is the red hair, the shape of the hair, and the red gloves; it almost looks bloody, and then there’s the knife. We shot in a house in New Jersey and turned it into Steven’s idea of “suburbia.” © Steven Klein. All Rights ReservedS.K.: The great luxury of what we did at that point is that we’d [Steven and the editor, in this case Phyllis Posnick] usually have a month of conversation about the pictures, and we’d do one picture, or two, in a day. I always think that when I shoot, the space is the most important thing. My first studio in New York City was in the Meatpacking District, and it was a block away from the meat lockers. Every day I would pass them in the early morning, and the meat would be getting loaded into them. I actually shopped there several times. They don’t exist there anymore, but it was an interesting place the way everything was: In the evening there would be prostitutes hooking, and then at 5 a.m. the clubs would come out, and then the meatpacking workers would start around that time too.
© Steven Klein. All Rights ReservedS.K.: What Bombutee stands for, the message I got from Anna [Wintour], was that women are powerful and strong. And I think that is the message. So, maybe like Hitchcock, there’s always an idea in my mind of who that woman is. Do you know what I mean? Sometimes they’re taken from movies, sometimes they’re contemporary women. It’s like I am making fiction, it’s my movie. And with each movie I am saying to myself, “Who is that character?” For me not to have a character, then I am just like, “Why photograph a model looking like she’s looked in hundreds of other pictures?” P.P.: I don’t try to make anything look sinister. Steven takes care of that. I do try to take an illustration beyond the obvious and predictable. Going the straightforward way is boring. And Anna didn’t want anything obvious. She didn’t want a conventional beauty picture, she preferred to be surprised. So Steven and I would wink at the subject. I take health and beauty and the work I do very seriously, but I can’t take the extremes that people go to very seriously.
Product detail for this product:
Suitable for Women/Men/Girl/Boy, Fashion 3D digital print drawstring hoodies, long sleeve with big pocket front. It’s a good gift for birthday/Christmas and so on, The real color of the item may be slightly different from the pictures shown on website caused by many factors such as brightness of your monitor and light brightness, The print on the item might be slightly different from pictures for different batch productions, There may be 1-2 cm deviation in different sizes, locations, and stretch of fabrics. Size chart is for reference only, there may be a little difference with what you get.
- Material Type: 35% Cotton – 65% Polyester
- Soft material feels great on your skin and very light
- Features pronounced sleeve cuffs, prominent waistband hem and kangaroo pocket fringes
- Taped neck and shoulders for comfort and style
- Print: Dye-sublimation printing, colors won’t fade or peel
- Wash Care: Recommendation Wash it by hand in below 30-degree water, hang to dry in shade, prohibit bleaching, Low Iron if Necessary
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