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There is also a queerness to many of filmdom’s most famous portraiture scenes. This might not be surprising, given that, from the homoerotic paintings of David Hockney to the explicit drawings of Duncan Grant, figurative art has been a place where queer people have brought their fantasies to life long before they were depicted in films. In My Policeman, the life drawing precedes the pair’s first sexual encounter—which is presumed to be Tom’s first sexual contact with a man. In The Danish Girl, protagonist Lili (Eddie Redmayne) begins to explore her trans identity after posing as a female life model for her wife, Gerda (Alicia Vikander), who is a painter. Being observed and painted as a woman marks the start of a new identity for Lili (though the film has since been criticized for casting Redmayne to play a trans woman, with the actor himself saying it was “a mistake”). Titanic is a heterosexual love story, but it has a devoted gay fanbase. Rose’s narrative could even be compared to a “coming out” story—an arc which dominates representations of LGBTQIA+ people in film. The portrait scene is key to this interpretation: It represents Rose stepping out as an emancipated, sexual being who is in control of her own destiny for the first time.As our lives have become increasingly digitized, the intimacy between artist and subject that we see in films like My Policeman feels even more primal—and hot. Perhaps what makes portraiture so alluring is that it can help people reimagine the world in new ways. In film, these scenes represent possibility: of sex and power, a new life, or transcending barriers of class, culture, and societal convention. And, on some level, that type of fantasy appeals to us all.
The central question—and source of erotic tension—is always: Who is really in control? Grandage tells me that, in preparation for filming My Policeman, one of the films he advised the actors to watch was Joseph Losey’s The Servant (1963). “It was a huge influence on me in my early life,” he says. “And it’s another film, by the way, about sex and class.” There is a class disparity in My Policeman, where Tom is accustomed to moving through the world in his uniform and being in a position of respect and authority, but suddenly Patrick speaks a language of art and culture which he doesn’t understand. With Tom out of his depths and insecure about his masculinity, the portrait scene is one of the only points in the film where it feels like Patrick is in charge.There’s an even bigger class divide in Girl with a Pearl Earring’s portrait scenes, with Griet wholly dependent on her employer, Johannes. Meanwhile, in Titanic, the situation is multi-layered: Rose is the wealthy female subject and Jack a penniless artist, which could be viewed as an inversion of the standard relationship between artist and model. Yet Rose becomes much more interested in Jack when she sees his sketchbook and learns of his artistic talents. She is surrounded by rich people who can’t distinguish between financial and cultural value, so Jack’s understanding of art and beauty is part of his allure, encouraging Rose to shun her own class.
So, why are portraiture scenes so hot? Part of the fascination with portraiture—both on- and offscreen—is the power dynamic between artist and subject. Take the works of prolific British painter Lucian Freud—currently the subject of a major retrospective at London’s National Gallery—which have long been connected to sex; Freud himself once said that the paintings which excite him the most “have an erotic element or side to them.” His grandfather, psychoanalyst Sigmund Freud, is famous for his theories on sexuality and human development—he’s even hilariously name-checked by Rose in Titanic.
Product detail for this product:
Suitable for Women/Men/Girl/Boy, Fashion 3D digital print drawstring hoodies, long sleeve with big pocket front. It’s a good gift for birthday/Christmas and so on, The real color of the item may be slightly different from the pictures shown on website caused by many factors such as brightness of your monitor and light brightness, The print on the item might be slightly different from pictures for different batch productions, There may be 1-2 cm deviation in different sizes, locations, and stretch of fabrics. Size chart is for reference only, there may be a little difference with what you get.
- Material Type: 35% Cotton – 65% Polyester
- Soft material feels great on your skin and very light
- Features pronounced sleeve cuffs, prominent waistband hem and kangaroo pocket fringes
- Taped neck and shoulders for comfort and style
- Print: Dye-sublimation printing, colors won’t fade or peel
- Wash Care: Recommendation Wash it by hand in below 30-degree water, hang to dry in shade, prohibit bleaching, Low Iron if Necessary
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